About

HORON began from a simple desire: to bring architectural thinking into objects we can live with, touch, and use every day.

As an architect, I have spent years working through complex spaces, refined interiors, and high-end design environments where proportion, light, material, and detail all matter. Architecture has taught me to look carefully — at how a surface meets another surface, how shadow changes the reading of a form, and how a small detail can completely shift the atmosphere of a room.

Over time, that way of thinking naturally led me toward smaller objects. I became interested in pieces that could carry the same depth of architectural design, but at a more intimate scale. Objects that are not only seen from a distance, but held, placed, adjusted, and lived with.

HORON is an exploration of that scale.

Each piece begins with geometry. Rather than treating form as decoration, I look at how shape, structure, opening, and light can work together. The design process moves between functional analysis and visual composition — asking how an object should be made, how it should perform, and how it should feel in a space.

The RIFT Series reflects this approach. Through layered forms, controlled gaps, and carefully shaped openings, each lamp creates a quiet interaction between object and light. The geometry is not only about appearance; it shapes how the light escapes, how shadows form, and how the object sits within its surroundings.

HORON is guided by the idea that function does not simply follow form, and form does not simply follow function. The two develop together. A useful object can still be sculptural. A decorative object can still be thoughtful, precise, and functional.

Every HORON piece is designed with an architectural eye — balancing clarity, atmosphere, and detail — to create objects that feel both familiar and distinct.